monoprints (gelli plates) & orizomegami
monoprints (gelli plates) & orizomegami
coptic stitch & screenprint cover
coptic stitch & screenprint cover
Dreamland for Keeps
Dreamland for Keeps
ink drawing with toothpick & india ink
ink drawing with toothpick & india ink
a witch can only be burned so many times (lithograph & watercolor)
a witch can only be burned so many times (lithograph & watercolor)
lithograph & watercolor (detail)
lithograph & watercolor (detail)
copper etching with chine-collé
copper etching with chine-collé
lithograph plate in progress
lithograph plate in progress
copper etching, red ink
copper etching, red ink
Deep in Flesh
Deep in Flesh
lithograph
lithograph
limited edition calendar image (screenprint) for tiger lily press
limited edition calendar image (screenprint) for tiger lily press
lithograph plate in progress
lithograph plate in progress
monoprints (gelli plates) & orizomegami
monoprints (gelli plates) & orizomegamiSome of the results of a 2-day workshop on printing with gelatin plates & dip-dye on paper. Papers pictured: Kozo, Rives BFK, Arches Cover.
coptic stitch & screenprint cover
coptic stitch & screenprint coverA small coptic stitch book with lightly waxed linen thread, trimmed screenprints, and rag paper scraps (maybe RIVES BFK) guts. Softcover. Multiple signatures.
Dreamland for Keeps
Dreamland for KeepsA screenprinted chapbook cover, metallic gold ink on heavy stock. Made from an ink drawing of dahlias, hand lettering, and female form. Each numbered book is handbound & trimmed. Released in editions of 50.Poetry inside is by Sarah Nicholes. The cover was designed for her in response to her Elizabeth Short erasure poems.
ink drawing with toothpick & india ink
ink drawing with toothpick & india inkLayers of a cover design for Sarah Nichols’ chapbook of poetry, DREAMLAND FOR KEEPS (Porkbelly Press, 2018). Drawing using a toothpick (taped to a pencil for stability) & superblack india ink.
a witch can only be burned so many times (lithograph & watercolor)
a witch can only be burned so many times (lithograph & watercolor)A lithograph on paper, hand-tinted with watercolor, featuring a line of poetry from Sonya Vatomsky’s chapbook of poems, MY HEART IN ASPIC (Porkbelly Press, 2015). Small edition broadside, framed 20x16 inches.
lithograph & watercolor (detail)
lithograph & watercolor (detail)A one of a kind watercolored lithograph. No two are ever the same.
copper etching with chine-collé
copper etching with chine-colléDetail of an etching with chine-collé made with a copper plate & heavy paper (RIVES BFK).
lithograph plate in progress
lithograph plate in progressA multicolor lithograph in progress, multiple plates, draw with India ink & sharpie.
copper etching, red ink
copper etching, red ink From drawing to finished print, a copper plate line etch. Hand-mixed ink. On Rives BFK.
Deep in Flesh
Deep in FleshScreenprinted covers, three colors including metallic gold ink. Internals are poetry by Nicci Mechler; each cover is signed. Poems about body, recovery, scars, and family.Interested in a copy? You can use the contact form on this site to get a signed copy directly from the poet.
lithograph
lithographLithograph print & plate. Searching for the ideal red for this image.
limited edition calendar image (screenprint) for tiger lily press
limited edition calendar image (screenprint) for tiger lily pressA hand-pulled screenprint from Tiger Lily Press’ 2017 calendar. Each artist does an edition of 100 prints above a letterpress grid. Techniques for the calendar include letterpress, screenprint, linocut, & suminagashi. This is my page from August. It’s a custom mixed, semi-translucent raspberry ink screenprinted on paper. Tiger Lily Press is a nonprofit arts organization located in Cincinnati, Ohio.
lithograph plate in progress
lithograph plate in progressAn 11x8.5 inch polyester litho plate in progress. Drawing is ballpoint pen on the plate. The quote is a line from Sonya Vatomsky’s work.
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